In celebration, we redid the Lingthusiasm website to make it work better on mobile and so it would be easier for both new and recurring listeners to find things like where to start, transcripts, bonus episodes, and more. It looks so good now thanks to the tremendous behind-the-scenes efforts of Liz McCullough (different spelling, no relation!) and the new icon art by Lucy Maddox!
I also wrote an incredibly long meta post about the website design process for Lingthusiasm, which…you probably already know if you’re the type of person who likes long meta posts about the implicit social functions of things in everyday life.
Podcasts have what’s often called a discoverability problem: it’s hard for prospective listeners who might like a particular podcast to know what’s out there.
I propose, however, that this problem is not unique to podcasts, and that we could understand the nature of this problem better by calling it opacity: the degree to which you’re able to try before you buy without committing a substantial chunk of time, money, or effort.
For example, books have a higher opacity than newspapers, despite both being text, because it’s easier to read through some news articles before buying a physical paper or online subscription. Books, even when you can leaf through the first few pages, are often designed to be a unified rather than a modular experience, so you don’t know before committing to it if the premise that seems intriguing on page 1 is going to pay off well a few chapters later. Even if you’re getting access to the book itself as a gift or a loan, the time that it takes to figure out whether you’re enjoying it is still rather daunting.
I finally went to some physical conferences again this month!
More specifically, I went to California for two conferences, Sotheby’s Level Up in Los Angeles and the Unicode Conference in the San Francisco Bay Area, where I did a keynote called “Taking Playfulness Seriously – When character sets are used in unexpected ways” (slides here!).
Here’s a meme-ish slide I made for my Unicode talk, about how tech tools need to work with and support users’ desires to be playful with language and symbols rather than pretending that people aren’t going to repurpose official tools for entertainment purposes, because ignoring this technological “desire path” just ends up creating a bad experience for users.
If you want to watch the Unicode talk, it’s not online as itself, but a few days later I did a talk on the same topic for Bay Area NLP, for which the video is here.
I also gave a virtual talk for some internal folks at YouTube, which is not online.
It was so great to see and meet a different assortment of people from my usual this month! I also got to do fun things like drop in on Spectator Books Oakland, which I happened to be walking by when I was in California so I signed their copy of Because Internet! (I think this signed edition has already been claimed by now, but they said they’d get more copies in later if you happen to be in the area. And as ever, you can always order signed Because Internets via Argo Bookshop in Montreal, if having a signed copy makes you excited enough to want to pay for shipping.)
This month’s image is from the Unicode Conference, which put U+1F637 (the Unicode encoding for the masked face) on its masks instead of like, a logo. I just. I’m so pleased about this. Plus my esoteric symbols scarf which everyone at Unicode did appreciate as much as I’d been hoping for, thank you.
I did some back-to-school virtual university talks this month! I talked about The Internet is Making English Better at Yale with Claire Bowern and about Internet Linguistics and Memes as Internet Folklore with a student at the University of Oklahoma.
In behind the scenes news, I also now have an assistant! This won’t change much about the public-facing things, but it feels like a kind of professional level up to have someone helping on the email/logistics side part-time.
Gretchen McCulloch, the Canadian linguist and author of “Because Internet,”dedicated an entire chapter of her book to “typographical tone of voice,” which explores not only periods and ellipses as signifiers of tone, but also TYPING IN ALL CAPS, which is seen as yelling; using *asterisks* and ~tildes~ for emphasis; the all lowercase “minimalist typography,” which can indicate a kind of deadpan, sarcastic monotone; and, of course, tYp1nG l1k3 th!z. (This is called “l33t [elite] speak,” and while it was once a sincere and popular way of spicing up texts, it is now employed almost exclusively in irony.)
This month’s image is, finally, inside a new bookshop again! This is from Librairie l’Alphabet in Rimouski, admittedly definitely a linguistics section that overlaps considerably with “reference” but containing a few French-language books I hadn’t seen before.
In the aftermath of #LingComm21, we did a couple tours of the custom Gather space that we made for the conference. The tours are finished now, but if you want to see people’s screencaps of the parts of the space and the conference that they found memorable, you can check the photos tab of the #LingComm21 hashtag.
We did a liveshow for my podcast, Lingthusiasm! Here’s a fun thread that I did about backchannels while we were getting ready for the show. If you’ve now realized that you want to belatedly watch the liveshow, here’s the archive link (for patrons, as encouraging people to become patrons is what helps us keep the show running).
This month, I announced LingComm21, the first International Conference on Linguistics Communication, and LingFest, a fringe-festival-style coordination of independently organized public linguistics events, together with an excellent organizing committee consisting of Lauren Gawne, Jessi Grieser, Laura Bailey, and Liz McCullough (different spelling, no relation!), both to take place in April 2021.