Gretchen McCulloch, the Canadian linguist and author of “Because Internet,”dedicated an entire chapter of her book to “typographical tone of voice,” which explores not only periods and ellipses as signifiers of tone, but also TYPING IN ALL CAPS, which is seen as yelling; using *asterisks* and ~tildes~ for emphasis; the all lowercase “minimalist typography,” which can indicate a kind of deadpan, sarcastic monotone; and, of course, tYp1nG l1k3 th!z. (This is called “l33t [elite] speak,” and while it was once a sincere and popular way of spicing up texts, it is now employed almost exclusively in irony.)
This month’s image is, finally, inside a new bookshop again! This is from Librairie l’Alphabet in Rimouski, admittedly definitely a linguistics section that overlaps considerably with “reference” but containing a few French-language books I hadn’t seen before.
In the aftermath of #LingComm21, we did a couple tours of the custom Gather space that we made for the conference. The tours are finished now, but if you want to see people’s screencaps of the parts of the space and the conference that they found memorable, you can check the photos tab of the #LingComm21 hashtag.
We did a liveshow for my podcast, Lingthusiasm! Here’s a fun thread that I did about backchannels while we were getting ready for the show. If you’ve now realized that you want to belatedly watch the liveshow, here’s the archive link (for patrons, as encouraging people to become patrons is what helps us keep the show running).
This month, I announced LingComm21, the first International Conference on Linguistics Communication, and LingFest, a fringe-festival-style coordination of independently organized public linguistics events, together with an excellent organizing committee consisting of Lauren Gawne, Jessi Grieser, Laura Bailey, and Liz McCullough (different spelling, no relation!), both to take place in April 2021.
2020 wasn’t the year anyone was expecting, and I did much less travel than in previous years. But, while I was social distancing at home like everyone else, I did at least keep doing enjoyable linguistics things: Crash Course Linguistics videos went from early planning stages to nearly complete, Because Internet came out in paperback, and my podcast Lingthusiasm launched two other projects to contribute to the pop linguistics ecosystem: LingComm Grants and Mutual Intelligibility.
Because Internet, my book about internet language which hit the NYT bestseller list last year, came out in paperback this year! Links to get it in all of the formats, including how to get signed copies.
I worked on these 16 fun intro linguistics videos, 10-12 minutes long each, along with a large team, including linguists Lauren Gawne and Jessi Grieser, host Taylor Behnke, the animation team at Thought Cafe, and of course the production team at Crash Course itself. Writing the scripts ended up being our first lockdown project in the spring, and then reviewing the filmed and animated episodes for accuracy a second lockdown project in the fall. The final few videos will be appearing in early 2021 — you can watch them all at this playlist.
Mutual Intelligibility – A newsletter to connect linguistics instructors with existing linguistics resources suitable for teaching online in a bite-sized, easy-to-digest fashion, with considerable help from the editing and organizational skills of Liz McCullough.
I went to the American Dialect Society’s annual Word of the Year vote, which is normally in person in early January at the annual meeting of the Linguistic Society of America, but this year as both have moved online, we were able to have the WotY vote at the end of December instead. A bit weird, but still nice to see familiar faces in the chat! The winner was, surprising no one at all, “covid”, and you can see the longer (and in my mind, more interesting) list of nominees in each category here.
Lots of people seem to have received copies of Because Internet for Christmas this year, as it’s now in paperback, and have been tagging me in them on twitter and instagram, which is lovely! Here are some of them:
I wrote an article for Wired this month summing up the results of my experiments in having more fluid conversational groupings (popularly known as “parties”) online.
The Zoom-birthday-party-slash-quiz-show is not terrible, and it is better than nothing—not to mention far better than hosting a Fun Party for Viral Particles in your friends’ respiratory tracts. But this birthday-board-meeting simply doesn’t feel like a party. (I’d hereby like to apologize to my friends who’ve hosted said Zoom gatherings. No really, please invite me back next year, it’s the medium that’s at fault!) One possible solution is to embrace the necessary structure of large Zoom events, and organize a more formal type of fun, like book clubs and game nights and powerpoint karaoke and show-and-tell events.
But, internet help me, I was still determined to have an actual virtual party. Which raises the question: If getting a bunch of people together on a video call doesn’t feel like a party, then what does?
I also made a cameo in an xkcd comic. (Possibly twice, if you interpret this one as a subtweet.) I would like to thank everyone for their concern, but it is actually very comfortable here in the stomach of the Eldritch Spirit of the Brown One and I am getting some very interesting fieldwork done with this ursine speaker of Proto-Germanic so please do not be alarmed.
I did a virtual discussion event with Maria Dahvana Headley (translator of the new “bro” Beowulf edition) and Alena Smith (creator of the show Dickinson) about translation and the juxtaposition of historical texts with modern language styles. It was part of Predictive Text, a new series I’m doing with Slate’s Future Tense, and the archive video is online.